Published Paper Details:

Abstract: Garment construction in fashion design commonly uses two primary techniques: flat pattern making and draping. Flat pattern making involves drafting patterns on paper using body measurements, while draping focuses on shaping fabric directly on a dress form to develop garment structure and fit. Both methods form the foundation of garment development in fashion design and education. An innovative approach that extends these traditional techniques is Transformational Reconstruction (TR), developed by Shingo Sato. In this method, a basic garment block is placed on a mannequin and new style lines are drawn directly onto the garment. The garment is then cut along these lines, and the pieces are manipulated and flattened to create new pattern pieces. This process transforms the original garment structure into innovative designs with sculptural silhouettes, asymmetrical seams, and geometric panels. A critical analysis of TR highlights both its strengths and limitations. The technique promotes creativity, experimental pattern development, and integration of two-dimensional and three-dimensional design approaches. However, it also requires high technical skill, involves time-consuming processes, and may be difficult to adapt for mass production. Despite these challenges, TR remains significant in contemporary fashion design and fashion education.