Published Paper Details:

Contemporary dystopian fiction increasingly scrutinizes the implications of accelerated technological development by envisioning futures in which the boundaries separating the human from the non-human are profoundly destabilized. Grounded in posthumanist theory, this paper analyzes the ways robots, cyborgs, and bioengineered beings signal the erosion of humanist values across four seminal dystopian novels: William Gibson's Neuromancer, Kazuo Ishiguro's Klara and the Sun, Margaret Atwood's Oryx and Crake, and Ian McEwan's Machines Like Me. Employing a comparative textual approach informed by the theoretical insights of Donna Haraway, N. Katherine Hayles, and Rosi Braidotti, the study examines how posthuman futures reshape conceptions of identity, agency, ethics, and emotional authenticity. Each text articulates a distinct yet interconnected mode of technological dominance, ranging from cybernetic disembodiment and artificial empathy to genetic engineering and morally autonomous artificial intelligence, collectively exposing a sustained dismantling of human exceptionalism. Rather than endorsing technological progress, these narratives foreground humanity's ethical precariousness and existential vulnerability within technologically saturated environments. This paper contends that dystopian posthuman fiction extends beyond speculative projections of humanity's demise to offer a critical interrogation of humanist ideology itself, gesturing toward a posthuman condition in which established notions of autonomy, morality, and emotional depth become increasingly unstable.