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Guru Ravidas was born in the 15th century near the oldest city of Hindu mythology, Banaras. He existed during the time when the bhakti wave had reached its peak and was towards decline. Although since bhakti thought was present even in the Vedic and pre-Vedic age, in the form of sacrifice,it would not be accurate to indicate a decline in the bhakti, but the wave was reaching its diminishing days. In the vast and complex spiritual landscape of India, saint poetry has long served as a potent instrument for both mystical exploration and social critique. Emerging from the Bhakti and Sufi traditions between the 12th and 18th centuries, Saint poets such as Kabir, Ravidas, Tukaram, Lal Ded, and Bulleh Shah articulated a deeply personal connection with the divine that simultaneously challenged rigid societal norms (Achmare, 77). The work produced by Guru Ravidas became extremely important as he was writing when the wave of bhakti had reached him after creating various bhakti sects in the southern region of India. He was influenced by the bhagats before him, resulting in creating a version of bhakti in Varanasi which represented all the bhaktas' work who wrote before him, whether it be the Alvar Nayanmars, warkari, vashvanite, kashmari shavism and other regional bhakti sectors. He represented them all. The core element of bhakti, which was travelling throughout India from the 5th to the 17th century, when it reached Guru Ravidas in the 15th century, had perfected its essence, which was bridal mysticism. Guru Ravidas' take on it as a devotee of Hari (Krishna) was quite simple yet appealing. The mysticism and nirgun bhakti expressed by him in his bani are exceptional because it includes all hierarchical representations of human civilization of his time. He wrote of his love for the divine like many other bhagats before him, with complete, total surrender and highlighting the social evil which prevailed in his time, engaging not just the spiritual ideologies but also with social issues of his time. His poetry makes one believe and understand love is not just in individuality but is in a union. Another profound element of his poetry was nirgun bhakti; wherever he was, whatever he did, God was included. He writes as if he were incomplete without God and preached to everyone a divine union with Hari. This paper explores some of Guru Ravidas's poetry, the echoes not just of his benevolent bridal mysticism but also the nirgun bhakti preached by him during his lifetime, still alive in his poetry.