Published Paper Details:

This research offers a comparative study of M. M. Kaye and Rumer Godden, two prominent Anglo-Indian authors whose works vividly depict the cultural, political, and emotional landscapes of British India. Drawing on postcolonial theoretical frameworks, particularly the contributions of Edward Said, Homi Bhabha, and Gayatri Spivak, the study examines how each writer engages with themes of colonial legacy, identity, and cross-cultural interaction. Kaye's historical romances, including The Far Pavilions and Shadow of the Moon, blend documented events with fictional narratives, often romanticising the Raj while revealing its inherent tensions. Godden's novels, Black Narcissus and The River, present more intimate portrayals, exploring psychological complexities and the fragility of cultural understanding. Through qualitative textual analysis supported by historical research, the study identifies recurring motifs such as spatial divisions, hybrid identities, and cultural rituals, revealing both reinforcement and critique of imperial ideologies. The findings highlight convergences in thematic concerns alongside divergences shaped by biography, narrative style, and scope. By placing these authors in direct dialogue, the research contributes to postcolonial comparative literary studies and deepens understanding of colonial memory in Anglo-Indian fiction. It also opens pathways for further exploration of women's voices in colonial and postcolonial narratives.