Published Paper Details:

Nagendra Jamatia, a distinguished voice in Kokborok literature, a prominent dramatist is known for using his works to address social issues and encourage cultural reflection within the Tripuri community. His 2001 play, Hakhor Bisingni Nokhorbaisidi, tackles the deep-rooted superstitions surrounding witchcraft and black magic, particularly the belief in Swkal (witches), which has historically fueled fear and violence. The protagonist, Hathai, serves as a reformative figure in the play, striving to break the cycle of fear and ignorance that grips his village. In a society where education is limited, villagers often resort to blaming illness or misfortune on individuals accused of witchcraft, leading to discrimination and at times, violence. Through Hathai's dialogues and interactions, Jamatia challenges these superstitions, encouraging the villagers to embrace a rational perspective. Hathai's journey, however, is obstructed by the village ochai (priest) and Baruwa (the priest's assistant), who represent the traditional stronghold that resists change. Despite these obstacles, Hathai remains determined, driven by a belief in truth and social harmony. In addition to critiquing superstition, the drama reflects Jamatia's concerns about the effects of inadequate education on youth. Hathai's efforts extend to guiding young villagers toward education and self-improvement, offering a path out of ignorance and toward empowerment. Hakhor Bisingni Nokhorbaisidi thus encapsulates Jamatia's commitment to challenging harmful beliefs and promoting rational thought and cultural preservation, illustrating his role as a transformative figure in Kokborok literature.