Published Paper Details:

This paper provides an in-depth analysis of the portrayal of female characters in the works of Saadat Hasan Manto, with a focus on how his narratives interrogate the intersection of social stigma, gender, and female subjectivity within a conservative, patriarchal society. By closely examining iconic stories such as Thanda Gosht, and Khol Do, the paper explores how Manto masterfully critiques societal norms and exposes the complexities of female agency in a world where women are often marginalized, objectified, and confined by rigid social expectations. Drawing on feminist literary criticism, the paper engages with the theoretical frameworks of Simone de Beauvoir, Gayatri Spivak, and bell hooks to evaluate how Manto's stories challenge traditional gender roles, highlight the psychological and emotional resilience of women, and reveal the multifaceted nature of female identity within a deeply gendered society. Through close textual analysis, this research highlights the centrality of social stigma in shaping women's lives, particularly in relation to their sexuality, honour, and perceived morality. Furthermore, the paper delves into Manto's nuanced portrayal of female characters as subjects with agency--women who resist, endure, and navigate oppressive forces in ways that defy simplistic categorization. In doing so, it argues that Manto's works serve as an important contribution to feminist literature in South Asia, raising essential questions about the ways in which gender dynamics, power, and societal expectations shape women's experiences. Finally, the paper reflects on the continued relevance of Manto's exploration of these themes in contemporary gender discourse, urging readers to critically examine modern gender relations through the lens of Manto's complex and often uncomfortable depictions of female subjectivity and resistance