Published Paper Details:

Amish Tripathi's bestselling Shiva Trilogy is not merely a mythological retelling; it is a complex tapestry woven with intricate socio-economic and political theories. This paper delves into the multifaceted socio-economic landscape of the trilogy, examining the contrasting ideologies of the seemingly utopian Meluha and the liberal Swadeep. It critically analyses the trilogy's exploration of the caste system, presenting both a meritocratic ideal and its eventual decay into a rigid, birth-based hierarchy. Furthermore, this paper investigates the central role of the divine drink, Somras, as a critical economic resource that shapes foreign policy, fuels conflict, and precipitates an ecological crisis. Through a close reading of the novels and an engagement with secondary scholarly sources, this research argues that Tripathi uses the mythological narrative to critique and comment on contemporary socio-economic issues, including social stratification, environmental degradation, and the perpetual tension between individual liberty and state control. The paper also explores the portrayal of gender roles and the status of marginalized communities, such as the Nagas, to highlight the author's engagement with themes of social justice and inclusivity. Ultimately, this research posits that the Shiva Trilogy serves as a modern-day parable, employing ancient narratives to provoke thought on the ideal societal structure and the inherent complexities of its practical implementation.