Published Paper Details:

Abstract Richard Powers' novel The Overstory presents a intense challenge to anthropocentric worldviews by promoting a biocentric perspective--one that recognizes the intrinsic value of all living beings, particularly trees. This research paper examines how The Overstory reimagines humanity's place in nature by emphasizing the interconnectedness of all life, the intelligence of trees, and the ethical implications of environmental destruction. Through an ecocritical analysis of key characters such as Patricia Westerford, Neelay Mehta, and Olivia Vandergriff, the study examines how Powers deconstruct human exceptionalism and promotes a deeper ecological awareness. The novel's portrayal of tree communication, deforestation, and eco-activism serves as both a literary and philosophical call for a biocentric shift in human consciousness. By mixing scientific insight with storytelling, The Overstory functions as a form of eco-activism, persuading readers to reconsider their relationship with the natural world. Ultimately, this paper argues that Powers' novel not only critiques humanity's exploitative approach to nature but also offers a vision of coexistence rooted in respect, reciprocity, and ecological responsibility.