Published Paper Details:

What if all this chaos of everyday lives were not a harbinger of despair but rather a doorway to deeper self-discovery? From Beckett's portrayal of meaninglessness in Waiting for Godot to the self-aware cynicism of Fleabag and the never-ending loops of Russian Doll, absurdism has been ever-changing and constantly taking on new forms. Which is no longer limited to the stage but can be seen in contemporary storytelling, blending dark humor with self-aware narration to mirror the challenges of the present world. This paper aims to explore how absurdism has transformed from being a bleak narrative of post-war theater into a multidisciplinary exploration of personal identity, trauma, and the fractured nature of reality. Together, these series merge absurdity with personal narratives, feminist ideas, and psychological depth. By tracing absurdism from its theatrical beginnings to its modern forms, this paper shows the present relevance of absurdism in contemporary times. In an era where meaning is often hard to find, absurdity not only reveals chaos but also offers a way to organize it.