Published Paper Details:

Abstract This study explores the rich tradition of literary adaptations in Indian cinema, tracing their historical progression and examining how filmmakers have transformed Indian narratives for the screen. From ancient epics to contemporary novels, Indian literature has been a vital source of inspiration for the country's film industry. This paper examines the film adaptation of Aravind Adiga's "The White Tiger" with a focus on its portrayal of social inequality, class struggle, and systemic corruption. This paper examines how the movie uses a unique visual language to vividly depict the ingrained socioeconomic divisions in contemporary India by contrasting lavish high-rises and dazzling cityscapes with the confined, dark innards of servant quarters and destitute rural area. Through a detailed analysis of cinematographic techniques such as contrasting settings, strategic use of colour, lighting, and composition, the research demonstrates how these visual elements not only underscore the external realities of a corrupt society but also mirror the internal transformation of the protagonist, Balram Halwai. This article highlights how cinematic storytelling may effectively convey difficult literary concepts into a captivating visual story, supporting and enhancing the novel's sharp social commentary. This study explores how filmmakers manage the balance between preserving the original text's integrity and creatively reinterpreting it to reflect changing audience expectations and cultural shifts. Key words: Film adaptation, cinematographic techniques, transformation, contemporary socio-economic divide, transformation.