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Romantic artists like Wordsworth, Byron, Shelley, and Keats were enthused in a variety of dissimilar ways by ancient Greece. Stephen Larrabee, in his conclusion pictures the influence of Greek monument on the Romantics, analyses the main thrust of English Romantic Hellenism that the Romantic poets "wished to emulate the Greeks in making great art from the circumstances of their time." In the Romantic age, it was taken for expanded that the logical and imaginative acquirement of old-fashioned Greece and Rome was one of the bedrock of Western background. The conventional world permeated almost every portion of life, from political institutions and theoretical analysis to technical scheme and the basic forms of construction. The ancient Greeks as well as the glory and splendor of the middle ages attract the imagination of natural thirst. Being an artist of romantic age Keats' attitude towards nature developed as he grew up in his poems and it was a temper of merely aesthetic delight, and analyzed pleasure in the beauty of nature. Romantic poetry aims at the large indefinite quantity expression of the individualistic. The poetry of Keats is not a vehicle of prophecy but matter-of-fact. It is for the sake of nature and truth and most of his poems are devoted to the theme of quest for beauty, love chivalry, adventure, glow of imagination, and pathos. Poetry is divinity to Keats and he takes on his own way of communication.