Published Paper Details:

The interplay between law and theatre in India presents a compelling narrative of control, resistance, and cultural evolution. This paper explores the intricate legal framework that governs Indian drama, with a particular focus on the historical and contemporary implications of the Dramatic Performances Act of 1876. Enacted during British colonial rule, the Act was designed to regulate and censor theatrical performances deemed seditious or obscene, thereby curbing the burgeoning nationalist sentiments expressed through theatre. Through a detailed analysis, this paper traces the Act's origins, its enforcement, and its enduring legacy in the post-colonial era. It examines how the Act and subsequent legislation have shaped the development of Indian theatre, influencing both its form and content. The research delves into key legal texts, historical records, and landmark court cases to illustrate the ongoing tension between artistic freedom and regulatory control. The paper also highlights the role of theatre as a medium of social commentary and political resistance, showcasing how dramatists and performers have navigated legal constraints to address pressing social issues such as caste discrimination, gender inequality, and political corruption. Contemporary instances of censorship and legal challenges faced by theatre practitioners are discussed, providing a comprehensive overview of the current landscape.