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Culture theory in the main stream of social practices has created new exploration and interpretations. The meaning of cultural change is seen by the facts of human beings' acceptance and their involvement of the social practices in a transitory process. Seemingly, Popular Fiction undertakes a transitory approach which appears to be true and enduring. Victor Shklovsky and Leo Tolstoy believed that the task of art can de-familiarize and show the reader the common things in an unfamiliar way to enhance the perceptions of reality. Therefore, strange and even the wildest characters are not forbidden. It could be inaccurate to say fictions simply demonstrate a passion for incidents and events. Literature cannot be produced under fixed canons, because literature is something that grows along with the shifts and changes by its culture and social practices. As people adapt themselves to these changes in the social practices, literature also deform by itself. It is understood that by insisting on a never-changing canon of great literary works, popular fictions preferable stress its openness and flexibility. Cultural studies are already disciplined by virtue of being named and identifiable field of knowledge organized by academic professionals within universities. Inspecting the zones of changes in the literary scenario pertains to a great deal of interpretations on culture. Usually, culture tend to be always on the pedestal of moving and changing. It always replaces the old and looks for new settlements. If there seems to be any persistent world-view of change, then one of the authentic records could also be the popular fictions of its time. Popular fiction consumes a hope of renovation and senses transition in a unique way as a sign of proclamation to break the immediate past and stimulate the present as an "historical license for the new.