Published Paper Details:

The study examines a complicated interaction between geophysical forces and human migration as reflected in the Orotha by Kakkanadan, to a level beyond the usual socio-political study. It discusses how the physical and geographical space serves as an active narrative agency that structures the exploration of displacement, identity and belonging that occurs in the novel. The study has a qualitative, descriptive and exploratory approach in that the text is analyzed on the literal and metaphorical meaning of geophysics. In this regard, landscapes, like a good homeland or a bad one, between stable and unstable and transitional areas are not the fixed space but the stimulator of the psychological, emotional, and social transformation of characters. The study finds that Kakkanadan employs geophysical visuals such as shifting terrain, fault lines and erosion to visualize the interior dissolution and existential insecurity that comes after migration. These metaphors break the physical and emotional barriers, showing how the instability of the environment is emulating the desire of the characters to find rootedness and identity. Through placing migration in a geophysical scheme, Orotha remaps movement as a multi-dimensional process involving external displacement and internal turmoil. Finally, the study determines that Kakkanadan's application of spatial realism and geophysical metaphor presents an insightful literary model of conceptualizing migration as interplay of natural forces, cultural dislocation, and individual transformation, significantly contributing to postcolonial debates about mobility and belonging.