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Published Paper Details:
Digital Technologies in Contemporary English Theatre: A Critical Reading of the Reshaping of Theatrical Space
Authors
Muslim Mohd. Lehmood Al-Mamouri
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Keywords
Keywords: English theatre; digital theatre; multimedia; theatrical space; cultural studies.
Abstract
Abstract
The modern English theatre is experiencing some radical changes as the digital revolution has dramatically changed the essence of the performance and the role of the text and the audience. The purpose of the present research is to investigate how digital technologies affect contemporary theatre in England and how the use of multimedia and virtual space can transform the theatre experience. The study is based on a theoretical framework that is informed by cultural studies and postmodern criticism, suggesting that digital theatre is not just a continuation of the traditional practice but a structural transformation that requires the re-evaluation of the existing critical concepts.
The research examines the chosen examples of the modern productions in the English language, including the National Theatre Live and the works of Complicite, where the live stream, virtual reality, and visual effects are applied in order to recreate theatrical space. It addresses also the aesthetic aspects of these changes such as the re-definition of the role of the actor, the increased interaction of the audience, the incorporation of the digital element into the performance structure, that leads to the development of new visual and auditory experiences that go beyond the framework of traditional theatre.
In addition to the artistic aspect, the study indicates the cultural and social consequences of digital theatre, which represent the modern problems of globalization, migration, and cultural identity. It makes theatre a space of critical activity with reality. This critical reading shows that modern English theatre has transformed into a hybrid space in which literary text, live performance, and digital technologies intertwine and bring a new perspective to the literary and theatrical studies.
The paper comes to a conclusion that digital technologies are no longer secondary devices but are a part of the organization of modern English theatre. This shift sees the necessity of new critical methods that could absorb these changes and be able to keep abreast with the fast changing performing arts to further support the significance of theatre as an important means of voicing the apprehensions of the contemporary human being.
IJCRT's Publication Details
Unique Identification Number - IJCRT26A4100
Paper ID - 306520
Author type - Foreign Author
Page Number(s) - j472-j481
Pubished in - Volume 14 | Issue 4 | April 2026
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No Of Downloads - 19
Author Country - Iraq, 51001, Hilla, Hilla, 51001, Languages
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Muslim Mohd. Lehmood Al-Mamouri, "Digital Technologies in Contemporary English Theatre: A Critical Reading of the Reshaping of Theatrical Space", International Journal of Creative Research Thoughts (IJCRT), ISSN:2320-2882, Volume.14, Issue 4, pp.j472-j481, April 2026, Available at :http://www.ijcrt.org/papers/IJCRT26A4100.pdf
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