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Ata-tala Varna: Structure and Performance in Karnataka Music
Authors
Anuthama Murali,Rajshri Ramakrishna
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Keywords
Varna, sangita sampradaya pradarsini, anubandha, Ata tala, tana varna, cauka varna, early composers of varna, structure, varna performance, ganakrama.
Abstract
Varna as a musical form is known to be composed from the late seventeenth century. Musical notations of varna-s are available from early publications until recent ones. Varna-s also have a strong practicing tradition in vocal and dance recitals. Varna-s in practice and textual sources are primarily set in two tala-s - Adi and Ata. This article is a study of the structure and performance of Ata-tala varna-s in the music repertoire, with special reference to varna-s from textual sources. Structure refers to the arrangement of the melodic sections of a varna i.e., pallavi, anupallavi etc. and the performance refers to the practical rendition of the varna after taking the structure and its musical implications into account. While only some varna-s are seen to have a strong oral tradition in practicing music, others can be conceptualized from the notations in textual sources, with a background of the oral tradition. The objective of this paper is to understand the structure suggested in the varna-s of the textual tradition, understand the melodic implications underlying it, and thus arrive at the understanding of the performance of the form.
IJCRT's Publication Details
Unique Identification Number - IJCRT2512281
Paper ID - 298544
Author type - Indian Author
Page Number(s) - c394-c409
Pubished in - Volume 13 | Issue 12 | December 2025
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No Of Downloads - 146
Author Country - India, 600087, Chennai, Chennai, 600087, Arts All
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Anuthama Murali,Rajshri Ramakrishna, "Ata-tala Varna: Structure and Performance in Karnataka Music", International Journal of Creative Research Thoughts (IJCRT), ISSN:2320-2882, Volume.13, Issue 12, pp.c394-c409, December 2025, Available at :http://www.ijcrt.org/papers/IJCRT2512281.pdf
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