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Published Paper Details:
Phulkari And Kantha: A Study Of Historical Comparison Of The Traditional Domestic Art Practices.
Authors
Rachita Dutta,Dr. Ved Prakash Paliwal
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Keywords
Indian Embroidery, Phulkari, Kantha, self expression, women art, needlework, art, craft practice, folk art, traditional art, domestic
Abstract
In India, phulkari and kathak embroidery are renowned for their important traditional and cultural backgrounds. These embroidery designs have equal folk significance and come from two very distinct places. Although Phulkari is believed to have originated in the Punjab region, Kantha flourished in eastern India, specifically in Bengal, Orissa, Bihar, and Bangladesh. Although embroidery was once primarily thought of as a craft that women pursued to decorate household objects, research has shown that many rural women also used embroidery as a means of releasing suppressed emotions by using it to narrate their innermost thoughts and feelings. Through the research it is clear that Kantha and Phulkari have this resemblance of using embroidery as a means of self-expression for rural women. According to the literature, the startling similarities between these two practices are due to the fact that they were women-centric and, despite being practiced in two very different regions, shared a common or at least somewhat similar method of expressing their voices, desires, and dreams--things that the male-dominated society would have otherwise dismissed as unimportant. Intricate and exquisite embroidery by the rural women of Punjab and Bengal not only adorned their homes and personal belongings but also served as a lovely means of expressing their unfulfilled dreams.
This research article explores the historical parallels between the Bengali-born Kantha and the Punjabi-born Phulkari, highlighting the ancient art practices of both groups as well as the innately feminine nature of these textile arts. The study examines the development of Kantha and Phulkari within the socio-cultural contexts of Bengal and Punjab, acknowledging the important responsibilities performed by women in creating these complex myths. We investigate the ways in which the feminine essence is woven into the artistic manifestations of Kantha and Phulkari, going beyond simple ornamentation to function as a potent tool for resistance, cultural preservation, and storytelling.
IJCRT's Publication Details
Unique Identification Number - IJCRT2408788
Paper ID - 268444
Author type - Indian Author
Page Number(s) - h98-h103
Pubished in - Volume 12 | Issue 8 | August 2024
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No Of Downloads - 196
Author Country - India, 180004, Jammu, Jammu, 180004, Medical Science All
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Rachita Dutta,Dr. Ved Prakash Paliwal, "Phulkari And Kantha: A Study Of Historical Comparison Of The Traditional Domestic Art Practices.", International Journal of Creative Research Thoughts (IJCRT), ISSN:2320-2882, Volume.12, Issue 8, pp.h98-h103, August 2024, Available at :http://www.ijcrt.org/papers/IJCRT2408788.pdf
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