Volume 10 | Issue 3 |

 Abstract

India is witnessing digital movement in all phases of life. Banking is no exception to it. The evolution of m-wallets has brought revolutionary change to payment habits of a common man. Recently several wallets have come up with their attractive offers for their customers. Increasing adoption of m-wallets have lead to the need of research in this area. Present study aims to explore reasons for m-wallets are used by customers in their daily life. A convenient sample of 328 respondents was taken and they were offered with 13 most popular reasons they use m-wallets for. They were asked to rank these 13 reasons in the order of their preferences. Weighted sum of ranks and final submitted ranks were calculated from these data and results revealed that utility bills, mobile recharge and petrol/diesel were among the top most reasons the mobile wallets are used for.

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Exploring Reasons of Using M-wallets: An Empirical Study from Southern Rajasthan

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Flowers (2005) is a magnum opus of 21st century by legendary playwright Girish Karnad(1938-2019). He is a prolific playwright who has credited with numerous awards like Padma Shri (1974), Padma Bhushan (1992), Sahitya Akademy Award (1994) and the Jnanpith Award (1999) for his contribution to Indian literature in English. Though, his mother tongue is Konkani but he chose to write in Kannada and English. In Flowers, Karnad deals with the conflict between amorous love and devotional love of an unnamed priest. The monologue continues to hold the attention of the readers through its aesthetic intensity. However, Flowers is not merely an amorous play that displays man-woman relationships in the background of Indian sensibility; it brings forth the spiritual intensity, a complete devotion towards God. Duality of the title can be sensed by the pious offerings of flowers to decorate the linga and the same flowers are used to decorate the naked body of the courtesan. Karnad precisely highlights the sacred and the profane world goes hand in hand with ease. In Flowers, Karnad returns to the archetypal world of dramaturgy and focuses on introspective male confessional voice rather than female. He takes the inspiration to write the play from the legend of Veeranna, archaka of the Hidambeshwara temple, who belongs to the Chitradurga region. The monologue became widely known in 1952 when T.R. Subbanna, a kannada writer included it in his swan song novel Hamsageethe.

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monologue, devotional, confessional, amorous, contemporary.

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Kathakali is an Indian classical dance composed of complex hand gestures, body moments, facial expressions and background music. Kathakali mudras are difficult to understand common peoples. We generate dataset for kathakali hand gestures and explore ways to recognize kathakali hand mudras performed by artistes by using machine learning and deep learning techniques. There are 24 classes of hand gestures. We propose Convolutional Neural Network (CNN) and Artificial Neural Network (ANN) for classification of hand gestures This is an attempt to generate dataset of kathakali hand gestures, explore data preprocessing for machine learning techniques and classification using Deep learning techniques

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Kathakali, Mudra, Gesture CNN, ANN, Deep Learning, Machine Learning

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Machine learning is still a relatively new field in economics. Furthermore, there is still a shortage of knowledge about machine learning. What machine learning is, how it differs from conventional econometrics, and how analysts and organizations may best use it. Our research aims to evaluate prediction models employing modern ML methods. We test if ML algorithms can enhance performance and identify characteristics that promote economic recovery or forecast economic recessions. Some indicators can provide insight into the status of the economy while others cannot. In this paper, we will study India's GDP and make predictions with the help of Machine Learning.

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Economics, GDP, Machine Learning, Forecasting, Linear Regression, Random Forest Regressor

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Around the first century B.C., Odissi music was possibly known as Gandharb Veda, which was popularised in the Kharavela Yuga (a great king of Odisha). Charya Geetika (poems of Buddhist literature) written between 7th and 12th century, Bharat Muni's Natya Shastra written in 2nd to 4th century AD. (referred to the Odra Magadhi style of music and dance), Sangeet Ratnakar (Odra Magadhi style of Music), Odia Charyagitika by different Odia Sidhacharyas in 7th to 11th century, Gita Govinda by Sri Jayadeva in 12th century, Sangita Sara by Hari Nayak in 14th century to 15th century, Rasavaridhi by Brundavan Das in 15th century, Odia Mahabharata by Sarala Das in 15th century, Rasakallola by Dinakrushna Das in 16th century, etc. were authentic manuscripts of Odissi music.

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Mathura Mangala, Manasiksa, Chautisa, Chhanda, Odishi, Odia

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This study focused its objectives on the role of social media in the customer-brand relationship management. Customers in the digital generation have new characteristics and behavior pattern. The way of interaction and relationship are changed accordingly. Digital media formed new customer- brand relationships. Social media as a digital nudge can be used to build and maintain healthy customer-brand relationships. This study adopted a desktop research method for achieving its objectives by examining the existing literature. The findings of the study systematically drew the social customer-brand relationship management at different stages of customer relationship. This study also identified some important factors should be consider while managing social customer-brand relationship.

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Creative Commons Attribution 4.0 and The Open Definition

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customer-brand relationship, social media, acquisition, retention, termination.

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Creative Commons Attribution 4.0 and The Open Definition

 Abstract

Flowers (2005) is a magnum opus of 21st century by legendary playwright Girish Karnad(1938-2019). He is a prolific playwright who has credited with numerous awards like Padma Shri (1974), Padma Bhushan (1992), Sahitya Akademy Award (1994) and the Jnanpith Award (1999) for his contribution to Indian literature in English. Though, his mother tongue is Konkani but he chose to write in Kannada and English. In Flowers, Karnad deals with the conflict between amorous love and devotional love of an unnamed priest. The monologue continues to hold the attention of the readers through its aesthetic intensity. However, Flowers is not merely an amorous play that displays man-woman relationships in the background of Indian sensibility; it brings forth the spiritual intensity, a complete devotion towards God. Duality of the title can be sensed by the pious offerings of flowers to decorate the linga and the same flowers are used to decorate the naked body of the courtesan. Karnad precisely highlights the sacred and the profane world goes hand in hand with ease. In Flowers, Karnad returns to the archetypal world of dramaturgy and focuses on introspective male confessional voice rather than female. He takes the inspiration to write the play from the legend of Veeranna, archaka of the Hidambeshwara temple, who belongs to the Chitradurga region. The monologue became widely known in 1952 when T.R. Subbanna, a kannada writer included it in his swan song novel Hamsageethe.

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Creative Commons Attribution 4.0 and The Open Definition

 Keywords

monologue, devotional, confessional, amorous, contemporary

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Creative Commons Attribution 4.0 and The Open Definition

 Abstract

??? ??????????? ??? '????' ?? ????? ????? ???? ??? ??? ???? ???? ??? ?? ?? ????? ?????? ?? ????? ?? ???? ?? ?? ?? ??? ??? ??????? ?? ????-?????? ??? ??????? ????, ??????? ???? ?? ?? ?? ??????????? ?? ???? ????? ?? ???? ?? ???? ?? ?? ???????? ????? ?? ??? ????? ?? ???????-??????? ?? ??? ??? ?????? ?? ?????? ?? ???? ?????? ??? ?? ???? ????? ????? ?????? ?? ??? ??? ??? ???? ???? ?? ?? ?????? ?? ???? ???? ?? ??????? ???? ???? ??? ?? ?? ?????? ?????? ????? ?? ????? ????? ???? ?? ??? ??? ????????? ?? ?????????? ??? ?? ???????? ??? ?? ???????? ?????? ?? ???? ?? ?? ???? ???? ???? ??? ??? ??????? ?????? ??????? ?? ?? ???????? ????? ????? ??????? ?? ??? ?? ????? ???? ?? ?????? ?? ?????? ???? ??????? ??? ????? ????????, ?? ?? ???? ?? ????? ?? ?? ????? ?? ?????? ???? ?????? ????????? ??? ?????? ??? ?????? ?? ???? ????????? ????? ?? ???????-?? ?? ???? ??? ?? ??? ???? ?? ???????? ?? ??? ??, ???????????? ?? ?????? ?????? ?????? ???? ?? ???? ??? ???-?????? ??? ??????? ???????? ??? ??, ?????? ????? ?? ?? ?? ????? ???? ????? ???? ??? ???? ????? ??????????? ??? ?? ?? ?? ?? ??????, ??????? ??? ????? ??? ?????? ???? ???? ?????? ?? ?? ???? ???????? ???? ?? ????? ??? ??? ?? ??? ???? ?? ????? ??? ???? ?? ????? ??? ???-??- ??? ??????? ?? ??? ??? ??? ??? ?????? ?????? ????? ?? ???? ?????? ???? ??? ???? ????? ???? ????? ???? ??? ???????? ??????? ?? ?????? ????? ??? ??????? ???? ?? ??? ??????? ??? ?????? ?? ????? ???? ???? ??? ????? ?? ?????? ???? ?? ???? ?? ??? ????? ?? ??????????????? ???? ???? ?? ????????? ?? ?? ??????? ?? ?????????? ???? ??? ???? ?? ??? ????? ???? ?? ??? ?????? ?? ??????? ??? ??????, ???????, ???, ????? ??????? ?? ?????? ???? ????????????? ?? ??? ????-???????-????-??????? ??? ???????? ?? ???? ?? ??? ??????? ???? ??? ??????? ??????? ???? ???? ?? ???? ?? ?? ???? ???? ??? ????? ??? ???? ???????-??????????-???????? ??? ??????? ?? ????? ????? ?? ????? ???? ?? ?????-?? ???? ??? ?? ??????? ??? ????? ???????? ?? ????? ??????, ????? ??? ??? ?? ??????? ??? ????? ?????? ?????, ??????????, ???????? ????????? ?? ???????? ?????????, ???? ?????? ?? ??????? ?? ????? ????, ??????? ??? ????? ????, ???????? ???????? ?? ???? ??????????? ??????, ??-?????? ?? ????? ?????? ? ????????, ???????, ??-?? ?? ????? ?? ???????? ?? ??? ??????? ???? ??? ?? ???? ???? ??? ??????? ?? ???? ?? ????? ??? ?????? ??????? ?????? ?? ?? ?? ??? ????? ???? ???? ???? ?????? ?? ?? ?????????, ?????????, ??????????, ????????????, ???? ??????? ??? ?? ???? ????????? ??????-???????? ??????? ?? ???? ???????? ?????? ?? ???????? ??? ?????????? ???? ????? ???? ???? ???

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???????, ??????????????, ????????, ????????, ??????, ??????, ??????? ????

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Creative Commons Attribution 4.0 and The Open Definition

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Yes

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Education

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Creative Commons Attribution 4.0 and The Open Definition

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Ayurveda is the ocean of knowledge; especially diamond of the ocean. Samsk?ra is having a unique role in the fundamental principles of Ayurveda. It is inherently related to almost all branches of Ayurveda just like a fragrance of sandal. Either Dietary food or medicine whatever it may be needs proper Samsk?ra in order to maintain proper health. Hence the knowledge of Samsk?ra is very essential to the physician while combating with diseases using the medicine as per Gundharmas (Properties). The role of Samsk?ra in preventive as well as curative measure is very crucial because with the help of Samsk?ra we maintain the equilibrium of Dosas in healthy individual. Caraka clearly explained that (Ca.Su.5/13) one should take as a daily routine the articles which maintain the health and prevent the unborn diseases1. When we think critically it is clear that proper Samsk?ras are needed to our body and Mind. Caraka explained in (Ca.Su.7/53) sutra forsaking intellectual errors (Pradny?pradha), pacification of sense organs, memory, and sound knowledge of place, time and self and following the code of good conduct this is the way shown for the prevention of exogenous diseases2. In this way Acharya caraka not only focused the Samsk?ras about body but also about mind.

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Samsk?ra, Gundharmas (Property), Pradny?pradha (Intellectual error), exogenous diseases.

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Creative Commons Attribution 4.0 and The Open Definition