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  Published Paper Details:

  Paper Title

Critical Analysis On Copyright And Remake Issues In Indian Cinema

  Authors

  Arya Anil

  Keywords

Copyright, Author, Infringement, Intellectual property rights, authorization

  Abstract


Bollywood, the colloquial name for the Indian film business, is well known for producing a wide range of movies rapidly. However, a complicated web of copyright and remake concerns that continue to provide difficulties for the business and its stakeholders exist behind the glossy exterior of this dominant force in film. An outline of the complex issues surrounding copyright and remakes in Indian cinema may be found in this abstract. Filmmakers, authors, and artists depend on copyright rules to protect their creative works. Since numerous directors have been charged with repurposing or altering content without the necessary authorization, copyright violations in Indian cinema continue to be a persistent worry. Due to these accusations, the industry has been affected both financially and creatively by lengthy legal fights. Unauthorized domestic and international film remakes in India is one of the main problems. Bollywood has a lengthy history of translating foreign films into Indian cinema, frequently without obtaining the required rights. This behavior raises questions about the industry's ethical standards and has resulted in conflicts with foreign production companies. Moreover, successful regional films are routinely remade in India by filmmakers who disregard the original artists' intellectual property rights. These problems call into doubt the industry's ethical standards, legal compliance, and integrity as artists. The abstract additionally emphasizes the financial consequences of copyright and remake disputes. Because investors and studios are wary of sponsoring projects that could result in legal ramifications, these conflicts have the potential to discourage investment in the industry. Furthermore, expensive settlements from copyright issues might have a negative impact on the financial viability of Indian film. The global reach of Indian cinema provides a setting for exploring the cultural and creative implications of these issues. The cultural interchange between India and other countries can be impacted by remakes that draw inspiration from international and local films. Discussions over the erosion of cultural authenticity and the effect of India's film exports on its soft power have been sparked by this. These problems provide a crucial background against which Indian film must continue to develop and broaden its worldwide reach in order to preserve this dynamic and significant cinematic ecosystem.

  IJCRT's Publication Details

  Unique Identification Number - IJCRT2401723

  Paper ID - 250264

  Page Number(s) - g175-g187

  Pubished in - Volume 12 | Issue 1 | January 2024

  DOI (Digital Object Identifier) -   

  Publisher Name - IJCRT | www.ijcrt.org | ISSN : 2320-2882

  E-ISSN Number - 2320-2882

  Cite this article

  Arya Anil,   "Critical Analysis On Copyright And Remake Issues In Indian Cinema", International Journal of Creative Research Thoughts (IJCRT), ISSN:2320-2882, Volume.12, Issue 1, pp.g175-g187, January 2024, Available at :http://www.ijcrt.org/papers/IJCRT2401723.pdf

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ISSN: 2320-2882
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Journal Starting Year (ESTD) : 2013
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ISSN and 7.97 Impact Factor Details


ISSN
ISSN
ISSN: 2320-2882
Impact Factor: 7.97 and ISSN APPROVED
Journal Starting Year (ESTD) : 2013
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