Published Paper Details:

This research paper critically re-examines the landscape of Pan-Indian cinema, particularly in light of the transformative success of South Indian films on the Pan-Indian stage. Departing from the conventional dominance of Bollywood, the study synthesizes insights from the 'Baahubalisation' phenomenon, scrutinizing its democratizing effects on the cinematic landscape. Employing a methodological approach involving a critical review of existing perspectives, the paper navigates the intricate interplay of viewpoints, cultural authenticity, and industry dynamics. A key focus is the shifting dynamics in the recognition of regional cinemas, with specific attention to the influential role of South Indian blockbusters in reshaping the definition of Pan-Indian cinema. The emergence of cultural authenticity as a central theme is explored, urging filmmakers to represent regional identities on a global scale genuinely. The analysis also delves into nuanced shifts in industry dynamics, mainly through cross-regional collaborations that challenge established norms. Noteworthy is the acknowledgement of South Indian stars on a Pan-Indian platform, signifying a departure from previous oversights and recognizing the diverse talent contributing to the cinematic tapestry. As a result, the study offers valuable insights into the evolving nature of Indian cinema and the impact of South Indian films on the broader Pan-Indian narrative. Future research avenues are proposed, including the exploration of streaming platforms' impact on audience preferences, an investigation into the convergence of technology and storytelling, and an examination of the ongoing transformation of the industry landscape. This critical review establishes a foundation for a comprehensive re-evaluation of Pan-Indian cinema, fostering a nuanced understanding of the changing cinematic dynamics in India and engaging stakeholders in an ongoing conversation that embraces the diversity of voices within the broader concept of Pan-Indian cinema.