Published Paper Details:

This paper aims to delve into the multifaceted culture of beauty and maquillage during the Early Modern period in England, offering a fresh perspective on the societal norms, practices, and perceptions of beauty during this transformative era. By examining a wide range of primary sources, including literary works, personal accounts, and visual representations, this study uncovers the intricate relationship between beauty ideals, cosmetics, and the construction of identity in early modern society. The research explores the significant role played by various factors such as social status, gender, and cultural influences in shaping beauty standards and practices. Furthermore, it investigates the intricate craftsmanship of cosmetic products, their ingredients, and their impact on the individuals who employed them. The paper contextualizes the early modern beauty culture within the broader historical and cultural framework, highlighting its connections to contemporary discourses on morality, power dynamics, and emerging consumer culture. By engaging with diverse sources, the study sheds light on the ways in which beauty practices were entwined with concepts of social hierarchy, religious beliefs, and notions of propriety. Additionally, it examines the social and economic implications of the beauty industry, including the emergence of professional beauty practitioners, and the circulation of beauty advice manuals. Moreover, this research challenges existing assumptions about beauty practices in early modern England, presenting a nuanced understanding of the complexities and contradictions inherent in the culture of beauty during this period. By acknowledging the agency and motivations of individuals in their pursuit of beauty, the study transcends simplistic narratives of oppression or conformity, highlighting the potential for personal expression and self-fashioning within the constraints of societal expectations. This paper offers a comprehensive exploration of the culture of beauty and maquillage in Early Modern England, shedding light on the interconnectedness of beauty ideals, societal norms, and personal agency. By examining the multifaceted aspects of beauty practices and their wider implications, this study contributes to a deeper understanding of the complex dynamics between appearance, identity, and social structures in this transformative period of English history.