Published Paper Details:

Cinema is one important source for comprehending and enhancing archive history, as well as bringing a fresh perspective to the table in terms of understanding diverse historical occurrences. In spite of the fact that it is an excellent medium for amusement, the cinema is also an excellent medium for obtaining knowledge, gaining education, and gaining an awareness of a situation in our contemporary and technical world. Cinema has power to represent or (mis)represent the events. One of the most horrific occurrences to take place on the Indian subcontinent was the liberation war of Bangladesh in 1971. The anguish that was inflicted by this conflict was shown in a number of films, which does a far better job of explaining the horrors that it produced than statistical data can. The hostility and violence, the anguish of being homeless, the sense of loss, large-scale human massacres, forced migrations, economic misery, issues of dislocation and displacement as refugees, and questions of sexuality and gender relations have all been well projected in a variety of Bengali and Hindi films, as well as in theatre and literary writings. This paper will critically investigate The Bangladeshi movie Meherjaan. This movie develops a diversity of ideological and generic viewpoints and articulates many shades of conflict, and serves as the primary topic of this paper