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Paper Title

Passing, Protest, and Reclamation: Caste Performativity and the Politics of Identity in Yashica Dutt's Coming Out as Dalit

Authors

Amita

Keywords

Caste Performativity, Savarna Mask, Epistemic Reclamation, Structural Violence, Psychological Split, Dalit Identity, Politics of Protest, Social Asphyxiation.

Abstract

The research explores the intricate relationship between caste performativity and the politics of identity as depicted in Yashica Dutt's memoir, Coming Out as Dalit. The study identifies a primary research problem: the invisible yet exhausting labor required by Dalit individuals to "pass" as upper-caste within elite, urban, and globalized spaces. This performance, conceptualized as the "Savarna mask," is analyzed not as a choice for social mobility, but as a defensive response to deep-seated structural violence and the threat of institutional exclusion. This research investigates caste performativity and the politics of identity in Yashica Dutt's Coming Out as Dalit. It addresses a central research problem: the invisible, exhausting labor required by Dalits to "pass" as upper-caste in elite spaces. This performance, or the "Savarna mask," is analyzed as a defensive response to structural violence rather than a choice for mobility. The study argues that "passing" extracts a devastating psychological tax, causing a 'psychological split' and constant hypervigilance. For Dalit women, this results in a 'dual erasure' of both caste history and gendered agency to satisfy the fraudulent requirements of a "post-caste" society. This concealment is framed as "symbolic suicide," where the authentic self is negated to avoid discrimination. Furthermore, the research examines the transition from traumatic concealment to a politics of protest. By "coming out," the subject performs epistemic reclamation, transforming "stinging shame" into a defiant political standpoint. The study concludes that discarding the mask is the only antidote to "social asphyxiation," restoring the "social breath" of the community and establishing communal sovereignty against exclusionary meritocracies.

How To Cite

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IJCRT — journal style
"Passing, Protest, and Reclamation: Caste Performativity and the Politics of Identity in Yashica Dutt's Coming Out as Dalit", IJCRT - International Journal of Creative Research Thoughts (www.ijcrt.org), ISSN:2320-2882, Vol.14, Issue 4, page no.a504-a515, April 2026, Available :https://ijcrt.org/papers/IJCRT2604066.pdf
APA — 7th edition
Amita. (2026). Passing, Protest, and Reclamation: Caste Performativity and the Politics of Identity in Yashica Dutt's Coming Out as Dalit. International Journal of Creative Research Thoughts, 14(4), a504-a515. https://ijcrt.org/viewpaperforall.php?paper=IJCRT2604066
MLA — 9th edition
Amita. "Passing, Protest, and Reclamation: Caste Performativity and the Politics of Identity in Yashica Dutt's Coming Out as Dalit." International Journal of Creative Research Thoughts, vol. 14, no. 4, 2026, pp. a504-a515, https://ijcrt.org/viewpaperforall.php?paper=IJCRT2604066.
Chicago — 17th, bibliography
Amita. "Passing, Protest, and Reclamation: Caste Performativity and the Politics of Identity in Yashica Dutt's Coming Out as Dalit." International Journal of Creative Research Thoughts 14, no. 4 (2026): a504-a515. https://ijcrt.org/viewpaperforall.php?paper=IJCRT2604066.
Harvard — author–date
Amita (2026) 'Passing, Protest, and Reclamation: Caste Performativity and the Politics of Identity in Yashica Dutt's Coming Out as Dalit', International Journal of Creative Research Thoughts, 14(4), pp. a504-a515. Available at: https://ijcrt.org/viewpaperforall.php?paper=IJCRT2604066
IEEE — numbered reference
Amita, "Passing, Protest, and Reclamation: Caste Performativity and the Politics of Identity in Yashica Dutt's Coming Out as Dalit," IJCRT, vol. 14, no. 4, pp. a504-a515, Apr. 2026.
Vancouver — biomedical
Amita. Passing, Protest, and Reclamation: Caste Performativity and the Politics of Identity in Yashica Dutt's Coming Out as Dalit. IJCRT. 2026 Apr;14(4):a504-a515.
AMA — 11th edition
Amita. Passing, Protest, and Reclamation: Caste Performativity and the Politics of Identity in Yashica Dutt's Coming Out as Dalit. IJCRT. 2026;14(4):a504-a515. Accessed at https://ijcrt.org/viewpaperforall.php?paper=IJCRT2604066
BibTeX — Zotero, Mendeley, LaTeX
@article{IJCRT2604066, author = {Amita}, title = {Passing, Protest, and Reclamation: Caste Performativity and the Politics of Identity in Yashica Dutt's Coming Out as Dalit}, journal = {International Journal of Creative Research Thoughts}, volume = {14}, number = {4}, pages = {a504-a515}, year = {2026}, month = {April}, issn = {2320-2882}, url = {https://ijcrt.org/viewpaperforall.php?paper=IJCRT2604066} }
RIS — EndNote, RefWorks
TY - JOUR AU - Amita TI - Passing, Protest, and Reclamation: Caste Performativity and the Politics of Identity in Yashica Dutt's Coming Out as Dalit T2 - International Journal of Creative Research Thoughts JA - IJCRT VL - 14 IS - 4 PY - 2026 SN - 2320-2882 UR - https://ijcrt.org/viewpaperforall.php?paper=IJCRT2604066 SP - a504-a515 ER -

Issue

Volume 14 Issue 4, April-2026
Pages : a504-a515

Article Information

Pages
a504-a515
Published
April 2026
Registration ID
IJCRT_304469
Published Paper ID
IJCRT2604066
Research Area
Medical Science All
Author Type
Indian Author
Location
DALHOUSIE, Himachal Pradesh, India
Licence
CC BY 4.0 · Open Access
ISSN & Impact Factor
2320-2882 · IF 9.17
Downloads
189

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International Journal of Creative Research Thoughts Published by IJCRT Publication
2320-2882 ISSN
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© 2026 — Authors hold the copyright of this article. This work is licensed under a Creative Commons Attribution 4.0 International License and The Open Definition. This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0), which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited.
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Declarations

Funding

No external funding was received for this study.

Conflict of Interest

The authors declare that they have no conflict of interest.

Acknowledgements

The authors would like to thank the reviewers and the editorial board of International Journal of Creative Research Thoughts for their careful reading and constructive comments, and all colleagues who supported the preparation of this manuscript.

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