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Paper Title

Listening Through the Cut: Performance, Improvisation, and Ethical Editing in Kore-eda's Cinema

Authors

Krishnendu Sarkar

Keywords

Kore-eda, editing, performance, improvisation, ethical cinema, spectatorship, Japanese cinema

Abstract

This paper focuses on performance, improvisation, and editing in the film of Hirokazu Kore-eda by suggesting that his approach to editing consists essentially of an ethics of listening. Although the studies of Kore-eda have focused on humanism, familial structures, and narrative minimalism as the main aspects of films, the role of editing in reaction to performance but not in control has received little attention. By comparing and contrasting some of the filming sequences of Shoplifters, Broker and Nobody Knows, this paper suggests the idea of the so-called responsive-editing to explain how Kore-eda has made his unique style. The paper, which uses film-philosophy, performance theory and ethical spectatorship, illustrates how long takes, shots of deferred reactions and elliptical continuity enable performances, particularly of children and non-professional actors to develop with autonomy. The paper states that the editing done by Kore-eda creates an ethical space where viewers are welcomed to listen and not judge. By doing so, the paper adds to the wider discourses of performance-based editing and ethics of cinema in the modern East Asian film practice.

How To Cite

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IJCRT — journal style
"Listening Through the Cut: Performance, Improvisation, and Ethical Editing in Kore-eda's Cinema", IJCRT - International Journal of Creative Research Thoughts (www.ijcrt.org), ISSN:2320-2882, Vol.14, Issue 3, page no.d87-d93, March 2026, Available :https://ijcrt.org/papers/IJCRT2603371.pdf
APA — 7th edition
Sarkar, K. (2026). Listening Through the Cut: Performance, Improvisation, and Ethical Editing in Kore-eda's Cinema. International Journal of Creative Research Thoughts, 14(3), d87-d93. https://doi.org/10.56975/ijcrt.v14i3.302976
MLA — 9th edition
Sarkar, Krishnendu. "Listening Through the Cut: Performance, Improvisation, and Ethical Editing in Kore-eda's Cinema." International Journal of Creative Research Thoughts, vol. 14, no. 3, 2026, pp. d87-d93, https://doi.org/10.56975/ijcrt.v14i3.302976.
Chicago — 17th, bibliography
Sarkar, Krishnendu. "Listening Through the Cut: Performance, Improvisation, and Ethical Editing in Kore-eda's Cinema." International Journal of Creative Research Thoughts 14, no. 3 (2026): d87-d93. https://doi.org/10.56975/ijcrt.v14i3.302976.
Harvard — author–date
Sarkar, K. (2026) 'Listening Through the Cut: Performance, Improvisation, and Ethical Editing in Kore-eda's Cinema', International Journal of Creative Research Thoughts, 14(3), pp. d87-d93. Available at: https://doi.org/10.56975/ijcrt.v14i3.302976
IEEE — numbered reference
K. Sarkar, "Listening Through the Cut: Performance, Improvisation, and Ethical Editing in Kore-eda's Cinema," IJCRT, vol. 14, no. 3, pp. d87-d93, Mar. 2026, doi: 10.56975/ijcrt.v14i3.302976.
Vancouver — biomedical
Sarkar K. Listening Through the Cut: Performance, Improvisation, and Ethical Editing in Kore-eda's Cinema. IJCRT. 2026 Mar;14(3):d87-d93. doi: 10.56975/ijcrt.v14i3.302976
AMA — 11th edition
Sarkar K. Listening Through the Cut: Performance, Improvisation, and Ethical Editing in Kore-eda's Cinema. IJCRT. 2026;14(3):d87-d93. doi:10.56975/ijcrt.v14i3.302976
BibTeX — Zotero, Mendeley, LaTeX
@article{IJCRT2603371, author = {Krishnendu Sarkar}, title = {Listening Through the Cut: Performance, Improvisation, and Ethical Editing in Kore-eda's Cinema}, journal = {International Journal of Creative Research Thoughts}, volume = {14}, number = {3}, pages = {d87-d93}, year = {2026}, month = {March}, issn = {2320-2882}, doi = {10.56975/ijcrt.v14i3.302976}, url = {https://doi.org/10.56975/ijcrt.v14i3.302976} }
RIS — EndNote, RefWorks
TY - JOUR AU - Sarkar, Krishnendu TI - Listening Through the Cut: Performance, Improvisation, and Ethical Editing in Kore-eda's Cinema T2 - International Journal of Creative Research Thoughts JA - IJCRT VL - 14 IS - 3 PY - 2026 SN - 2320-2882 DO - 10.56975/ijcrt.v14i3.302976 UR - https://doi.org/10.56975/ijcrt.v14i3.302976 SP - d87-d93 ER -

Issue

Volume 14 Issue 3, March-2026
Pages : d87-d93

Article Information

Pages
d87-d93
Published
March 2026
Registration ID
IJCRT_302976
Published Paper ID
IJCRT2603371
Research Area
Arts All
Author Type
Indian Author
Location
Pune, Maharashtra, India
Licence
CC BY 4.0 · Open Access
ISSN & Impact Factor
2320-2882 · IF 9.17
Downloads
195
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International Journal of Creative Research Thoughts Published by IJCRT Publication
2320-2882 ISSN
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2013 ESTD Year
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Impact Factor 9.17, calculated from Google Scholar citation data — see how it is worked out.
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Licence

© 2026 — Authors hold the copyright of this article. This work is licensed under a Creative Commons Attribution 4.0 International License and The Open Definition. This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0), which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited.
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Declarations

Funding

No external funding was received for this study.

Conflict of Interest

The authors declare that they have no conflict of interest.

Acknowledgements

The authors would like to thank the reviewers and the editorial board of International Journal of Creative Research Thoughts for their careful reading and constructive comments, and all colleagues who supported the preparation of this manuscript.

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