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Paper Title
Editing as Affective Architecture: Silence, Temporal Fragmentation, and Emotional Tension in Takeshi Kitano's Hana-bi
Authors
Krishnendu Sarkar
Keywords
Takeshi Kitano; Hana-bi; Film Editing; Affective Cinema; Silence; Temporal Fragmentation; Japanese Cinema; Trauma and Memory; Yasujir? Ozu
Abstract
Abstract
Takeshi Kitano's Hana-bi (1997) holds a unique spot in world cinema due to its careful emotional expression, unconventional story structure, and sudden bursts of violence. Unlike typical genre films, especially crime and police movies, Hana-bi builds emotional tension not through story escalation or character psychology, but through formal techniques in its editing. This paper explores how editing acts as an emotional framework in Hana-bi, shaping feelings through silence, broken time, and the contrast of calmness with unexpected violence. Using ideas from film phenomenology, trauma theory, and Japanese aesthetics--especially the concepts of impermanence--the study claims that Kitano's editing methods turn absence, delay, and disruption into key expressive elements. The paper also places Hana-bi within a larger Japanese film tradition by examining the impact of Yasujir? Ozu's subtle editing style and how Kitano reshapes that tradition in a modern, violence-driven context. By highlighting editing as the film's main emotional and moral structure, the study adds to larger conversations about emotional cinema, minimalism, and different ways of experiencing films.
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IJCRT — journal style
"Editing as Affective Architecture: Silence, Temporal Fragmentation, and Emotional Tension in Takeshi Kitano's Hana-bi", IJCRT - International Journal of Creative Research Thoughts (www.ijcrt.org), ISSN:2320-2882, Vol.13, Issue 12, page no.i478-i480, December 2025, Available :https://ijcrt.org/papers/IJCRT2512971.pdf
APA — 7th edition
Sarkar, K. (2025). Editing as Affective Architecture: Silence, Temporal Fragmentation, and Emotional Tension in Takeshi Kitano's Hana-bi. International Journal of Creative Research Thoughts, 13(12), i478-i480. https://doi.org/10.56975/ijcrt.v13i12.299645
MLA — 9th edition
Sarkar, Krishnendu. "Editing as Affective Architecture: Silence, Temporal Fragmentation, and Emotional Tension in Takeshi Kitano's Hana-bi." International Journal of Creative Research Thoughts, vol. 13, no. 12, 2025, pp. i478-i480, https://doi.org/10.56975/ijcrt.v13i12.299645.
Chicago — 17th, bibliography
Sarkar, Krishnendu. "Editing as Affective Architecture: Silence, Temporal Fragmentation, and Emotional Tension in Takeshi Kitano's Hana-bi." International Journal of Creative Research Thoughts 13, no. 12 (2025): i478-i480. https://doi.org/10.56975/ijcrt.v13i12.299645.
Harvard — author–date
Sarkar, K. (2025) 'Editing as Affective Architecture: Silence, Temporal Fragmentation, and Emotional Tension in Takeshi Kitano's Hana-bi', International Journal of Creative Research Thoughts, 13(12), pp. i478-i480. Available at: https://doi.org/10.56975/ijcrt.v13i12.299645
IEEE — numbered reference
K. Sarkar, "Editing as Affective Architecture: Silence, Temporal Fragmentation, and Emotional Tension in Takeshi Kitano's Hana-bi," IJCRT, vol. 13, no. 12, pp. i478-i480, Dec. 2025, doi: 10.56975/ijcrt.v13i12.299645.
Vancouver — biomedical
Sarkar K. Editing as Affective Architecture: Silence, Temporal Fragmentation, and Emotional Tension in Takeshi Kitano's Hana-bi. IJCRT. 2025 Dec;13(12):i478-i480. doi: 10.56975/ijcrt.v13i12.299645
AMA — 11th edition
Sarkar K. Editing as Affective Architecture: Silence, Temporal Fragmentation, and Emotional Tension in Takeshi Kitano's Hana-bi. IJCRT. 2025;13(12):i478-i480. doi:10.56975/ijcrt.v13i12.299645
BibTeX — Zotero, Mendeley, LaTeX
@article{IJCRT2512971,
author = {Krishnendu Sarkar},
title = {Editing as Affective Architecture: Silence, Temporal Fragmentation, and Emotional Tension in Takeshi Kitano's Hana-bi},
journal = {International Journal of Creative Research Thoughts},
volume = {13},
number = {12},
pages = {i478-i480},
year = {2025},
month = {December},
issn = {2320-2882},
doi = {10.56975/ijcrt.v13i12.299645},
url = {https://doi.org/10.56975/ijcrt.v13i12.299645}
}
RIS — EndNote, RefWorks
TY - JOUR
AU - Sarkar, Krishnendu
TI - Editing as Affective Architecture: Silence, Temporal Fragmentation, and Emotional Tension in Takeshi Kitano's Hana-bi
T2 - International Journal of Creative Research Thoughts
JA - IJCRT
VL - 13
IS - 12
PY - 2025
SN - 2320-2882
DO - 10.56975/ijcrt.v13i12.299645
UR - https://doi.org/10.56975/ijcrt.v13i12.299645
SP - i478-i480
ER -
Issue
Volume 13 Issue 12,
December-2025
Pages : i478-i480
Article Information
- Published In
- International Journal of Creative Research Thoughts — Volume 13, Issue 12, December 2025
- Pages
- i478-i480
- Published
- December 2025
- Registration ID
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- Published Paper ID
- IJCRT2512971
- Research Area
- Arts All
- Author Type
- Indian Author
- Location
- Pune, Maharashtra, India
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- Published Paper PDF
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