ISSN2320-2882
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Paper Title

"Tanjore Painting: A Journey of Heritage, Craft and Creative Evolution"

Authors

Lavanya S

Keywords

Thanjavur painting Tanjore art Gold foil technique Gesso work South Indian devotional art Maratha and Nayaka patronage Contemporary adaptations Cultural heritage

Abstract

Thanjavur painting, also known as Tanjore painting, is a distinguished classical art form of South India, celebrated for its rich devotional themes, intricate craftsmanship, and opulent use of gold embellishments. Originating in the historic town of Thanjavur, Tamil Nadu, this art form evolved under the patronage of the Nayakas, Marathas and other regional powers from the 16th century onward, reflecting a vibrant confluence of cultural, religious and artistic influences. Characterized by its bold compositions, vibrant color palette, raised gesso work, and three-dimensional gold detailing, Thanjavur paintings traditionally depict Hindu gods, goddesses, saints and mythological narratives, serving both devotional and decorative purposes. Over time, the techniques, materials and thematic repertoire of Thanjavur painting have evolved. Contemporary artists experiment with modern substrates like plywood and canvas, synthetic pigments, and alternative gilding methods while incorporating secular, popular and contemporary motifs alongside classical religious subjects. This fusion of tradition and innovation has expanded the appeal of Tanjore art, making it relevant in modern home decor, interior design and the international art market. The accessibility of online platforms has further facilitated the global reach of Thanjavur paintings, connecting artists and collectors across regions. This paper examines the historical development, artistic influences, methodological techniques and modern adaptations of Thanjavur painting, highlighting its enduring significance as a living art form. It also explores current trends, changing consumer preferences and the integration of classical craftsmanship with contemporary aesthetics, demonstrating the resilience, adaptability and timeless appeal of this century's old artistic tradition. The study underscores Thanjavur painting not only as a cultural and devotional heritage but also as a dynamic and evolving art form that continues to inspire artists and art enthusiasts worldwide.

How To Cite

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IJCRT — journal style
""Tanjore Painting: A Journey of Heritage, Craft and Creative Evolution"", IJCRT - International Journal of Creative Research Thoughts (www.ijcrt.org), ISSN:2320-2882, Vol.13, Issue 12, page no.i318-i336, December 2025, Available :https://ijcrt.org/papers/IJCRT2512950.pdf
APA — 7th edition
S, L. (2025). "Tanjore Painting: A Journey of Heritage, Craft and Creative Evolution". International Journal of Creative Research Thoughts, 13(12), i318-i336. https://ijcrt.org/viewpaperforall.php?paper=IJCRT2512950
MLA — 9th edition
S, Lavanya. ""Tanjore Painting: A Journey of Heritage, Craft and Creative Evolution"." International Journal of Creative Research Thoughts, vol. 13, no. 12, 2025, pp. i318-i336, https://ijcrt.org/viewpaperforall.php?paper=IJCRT2512950.
Chicago — 17th, bibliography
S, Lavanya. ""Tanjore Painting: A Journey of Heritage, Craft and Creative Evolution"." International Journal of Creative Research Thoughts 13, no. 12 (2025): i318-i336. https://ijcrt.org/viewpaperforall.php?paper=IJCRT2512950.
Harvard — author–date
S, L. (2025) '"Tanjore Painting: A Journey of Heritage, Craft and Creative Evolution"', International Journal of Creative Research Thoughts, 13(12), pp. i318-i336. Available at: https://ijcrt.org/viewpaperforall.php?paper=IJCRT2512950
IEEE — numbered reference
L. S, ""Tanjore Painting: A Journey of Heritage, Craft and Creative Evolution"," IJCRT, vol. 13, no. 12, pp. i318-i336, Dec. 2025.
Vancouver — biomedical
S L. "Tanjore Painting: A Journey of Heritage, Craft and Creative Evolution". IJCRT. 2025 Dec;13(12):i318-i336.
AMA — 11th edition
S L. "Tanjore Painting: A Journey of Heritage, Craft and Creative Evolution". IJCRT. 2025;13(12):i318-i336. Accessed at https://ijcrt.org/viewpaperforall.php?paper=IJCRT2512950
BibTeX — Zotero, Mendeley, LaTeX
@article{IJCRT2512950, author = {Lavanya S}, title = {"Tanjore Painting: A Journey of Heritage, Craft and Creative Evolution"}, journal = {International Journal of Creative Research Thoughts}, volume = {13}, number = {12}, pages = {i318-i336}, year = {2025}, month = {December}, issn = {2320-2882}, url = {https://ijcrt.org/viewpaperforall.php?paper=IJCRT2512950} }
RIS — EndNote, RefWorks
TY - JOUR AU - S, Lavanya TI - "Tanjore Painting: A Journey of Heritage, Craft and Creative Evolution" T2 - International Journal of Creative Research Thoughts JA - IJCRT VL - 13 IS - 12 PY - 2025 SN - 2320-2882 UR - https://ijcrt.org/viewpaperforall.php?paper=IJCRT2512950 SP - i318-i336 ER -

Issue

Volume 13 Issue 12, December-2025
Pages : i318-i336

Article Information

Pages
i318-i336
Published
December 2025
Registration ID
IJCRT_299581
Published Paper ID
IJCRT2512950
Research Area
Others area
Author Type
Indian Author
Location
Bengaluru, Karnataka, India
Licence
CC BY 4.0 · Open Access
ISSN & Impact Factor
2320-2882 · IF 9.17
Downloads
170

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International Journal of Creative Research Thoughts Published by IJCRT Publication
2320-2882 ISSN
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Impact Factor 9.17, calculated from Google Scholar citation data — see how it is worked out.
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© 2025 — Authors hold the copyright of this article. This work is licensed under a Creative Commons Attribution 4.0 International License and The Open Definition. This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0), which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited.
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Declarations

Funding

No external funding was received for this study.

Conflict of Interest

The authors declare that they have no conflict of interest.

Acknowledgements

The authors would like to thank the reviewers and the editorial board of International Journal of Creative Research Thoughts for their careful reading and constructive comments, and all colleagues who supported the preparation of this manuscript.

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