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Paper Title
"Rhythmic Identity of the instrument Dhol: Its uses in Bihu Naam & Dholia Oja Tradition of Assam"
Authors
MR. GAUTAM SAIKIA , PROF. DILIP KR. KALITA
Keywords
Percussion, Dhol, Bihu Naam, Instrument, Bihu
Abstract
Bihu is the pride of Assam as well as the soul of Assamese people. Dhol is the primary musical instrument in this Bihu. The mind and soul of Assamese people is thrilled by the booming sound of the Dhol and it has been playing significant role bearing its unique individual characteristics in the field of cultural harmony of various castes and tribes of Assam. It is akin to the Assamese people.
It is a folk belief of the people of Assam that the promising youth full of creation should perform dances in the crop fields in order to pray for the increase of fertility of the soil of Mother Assam (Aai Axomi). The state Assam is considered as the mother by all the people in the state. The musical instruments play a significant role in this prayer and the dance performance. The identity of Dhol is being found distinctly in the ethnic groups of Assam, a field of harmony filled with different ethnicities and tribes.
Some types of Dhol are - a) Jay Dhol, b) Dhepa Dhol, c) Bor Dhol, d) Pati Dhol etc. Moreover, the Dhols that have been prevailing among various tribes are being named with distinct names. (Duarah, 2009, pp. 72-74)
In this research work it is being discussed about the origin and evolution of the folk Percussion instrument namely Dhol, its uses in the folk song Bihu Naam and the folk performing art form of Assam, i.e. Dholia Oja.
This research paper is completed through descriptive and analytical methods with the help of primary and secondary sources and APA referencing style is followed.
The main objectives of this research work are: -
a) To study the origin of the instrument Dhol
b) To study the rhythmic pattern of the instrument Dhol which are used in Bihu Naam.
c) To study the uses of the instrument Dhol in Dholia Oja tradition of Assam and its various Components.
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IJCRT — journal style
""Rhythmic Identity of the instrument Dhol: Its uses in Bihu Naam & Dholia Oja Tradition of Assam"", IJCRT - International Journal of Creative Research Thoughts (www.ijcrt.org), ISSN:2320-2882, Vol.13, Issue 9, page no.a222-a230, September 2025, Available :https://ijcrt.org/papers/IJCRT2509026.pdf
APA — 7th edition
SAIKIA, G., & KALITA, D. K. (2025). "Rhythmic Identity of the instrument Dhol: Its uses in Bihu Naam & Dholia Oja Tradition of Assam". International Journal of Creative Research Thoughts, 13(9), a222-a230. https://ijcrt.org/viewpaperforall.php?paper=IJCRT2509026
MLA — 9th edition
SAIKIA, GAUTAM, and DILIP KR. KALITA. ""Rhythmic Identity of the instrument Dhol: Its uses in Bihu Naam & Dholia Oja Tradition of Assam"." International Journal of Creative Research Thoughts, vol. 13, no. 9, 2025, pp. a222-a230, https://ijcrt.org/viewpaperforall.php?paper=IJCRT2509026.
Chicago — 17th, bibliography
SAIKIA, GAUTAM, and DILIP KR. KALITA. ""Rhythmic Identity of the instrument Dhol: Its uses in Bihu Naam & Dholia Oja Tradition of Assam"." International Journal of Creative Research Thoughts 13, no. 9 (2025): a222-a230. https://ijcrt.org/viewpaperforall.php?paper=IJCRT2509026.
Harvard — author–date
SAIKIA, G. and KALITA, D.K. (2025) '"Rhythmic Identity of the instrument Dhol: Its uses in Bihu Naam & Dholia Oja Tradition of Assam"', International Journal of Creative Research Thoughts, 13(9), pp. a222-a230. Available at: https://ijcrt.org/viewpaperforall.php?paper=IJCRT2509026
IEEE — numbered reference
G. SAIKIA and D. K. KALITA, ""Rhythmic Identity of the instrument Dhol: Its uses in Bihu Naam & Dholia Oja Tradition of Assam"," IJCRT, vol. 13, no. 9, pp. a222-a230, Sep. 2025.
Vancouver — biomedical
SAIKIA G, KALITA DK. "Rhythmic Identity of the instrument Dhol: Its uses in Bihu Naam & Dholia Oja Tradition of Assam". IJCRT. 2025 Sep;13(9):a222-a230.
AMA — 11th edition
SAIKIA G, KALITA DK. "Rhythmic Identity of the instrument Dhol: Its uses in Bihu Naam & Dholia Oja Tradition of Assam". IJCRT. 2025;13(9):a222-a230. Accessed at https://ijcrt.org/viewpaperforall.php?paper=IJCRT2509026
BibTeX — Zotero, Mendeley, LaTeX
@article{IJCRT2509026,
author = {GAUTAM SAIKIA and DILIP KR. KALITA},
title = {"Rhythmic Identity of the instrument Dhol: Its uses in Bihu Naam & Dholia Oja Tradition of Assam"},
journal = {International Journal of Creative Research Thoughts},
volume = {13},
number = {9},
pages = {a222-a230},
year = {2025},
month = {September},
issn = {2320-2882},
url = {https://ijcrt.org/viewpaperforall.php?paper=IJCRT2509026}
}
RIS — EndNote, RefWorks
TY - JOUR
AU - SAIKIA, GAUTAM
AU - KALITA, DILIP KR.
TI - "Rhythmic Identity of the instrument Dhol: Its uses in Bihu Naam & Dholia Oja Tradition of Assam"
T2 - International Journal of Creative Research Thoughts
JA - IJCRT
VL - 13
IS - 9
PY - 2025
SN - 2320-2882
UR - https://ijcrt.org/viewpaperforall.php?paper=IJCRT2509026
SP - a222-a230
ER -
Issue
Volume 13 Issue 9,
September-2025
Pages : a222-a230
Article Information
- Published In
- International Journal of Creative Research Thoughts — Volume 13, Issue 9, September 2025
- Pages
- a222-a230
- Published
- September 2025
- Registration ID
- IJCRT_293368
- Published Paper ID
- IJCRT2509026
- Research Area
- Arts All
- Author Type
- Indian Author
- Location
- KAMRUP METRO, Assam, India
- Peer Review
- Request Peer Review Report
- Licence
- CC BY 4.0 · Open Access
- ISSN & Impact Factor
- 2320-2882 · IF 9.17
- Downloads
- 467
- Permanent Link
- https://ijcrt.org/viewpaperforall.php?paper=IJCRT2509026
- Published Paper PDF
- https://ijcrt.org/papers/IJCRT2509026.pdf
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