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  Authors

Frank Felix,Prof. Dr. Nagalaxmi M. Raman

  Keywords

American Rap Music, Indian Hip-Hop, Cultural Exchange, Youth Culture, Media & Technology

  Abstract


The paper examines how American rap music promoted cultural exchange with India in the context of globalization and the digital revolution. Since it arrived in the Bronx in the 1970s, rap music has become a global cultural force, transcending geographical, linguistic, and cultural boundaries. This study examines how American rap's subject, style, and cultural representations have influenced and intersected Indian music, identity, and social comments since 2014. It highlights the growth of the hip-hop underground movement from India. This study embraces an interdisciplinary approach that combines cultural studies, music, and international relations and analyzes the impact of American rap on Indian popular culture. Research into the main themes includes the movement of Gully Rap, the Bollywood film Gully Boy (2019), and the contributions of artists such as Naezi's Raja Kumari, who embody the fusion of American and Indian musical traditions. In this study, platforms such as YouTube, Spotify, and social networks served as channels for this cultural exchange that allows for the distribution and location of rap music in India. Research indicates that American rap has functioned as a source of motivation and a means for Indian artists to express their socio-political situations. Although the themes of marginalization, resistance, and urban existence are prevalent in both cultures, Indian rap enriches these stories by incorporating native languages, traditions, and local issues. The study also highlights the challenges of this cultural exchange, including debates around authenticity, commercialization, and the adaptation of a historically African-American art form in a diverse Indian context. This study contributes to the growing body of literature on global hip-hop culture and underscores the role of American rap music as a significant vehicle for cross-cultural dialogue, creativity, and identity formation in a rapidly globalizing world. According to this trip from American streets to Indian musical landscapes, this study illuminates rap's transformational power in combining culture and contributions to new artistic expression.

  IJCRT's Publication Details

  Unique Identification Number - IJCRT25A4189

  Paper ID - 283157

  Author type - Indian Author

  Page Number(s) - k115-k123

  Pubished in - Volume 13 | Issue 4 | April 2025

  DOI (Digital Object Identifier) -   

  No Of Downloads - 117

  Author Country - India, 201005, Ghaziabad, Ghaziabad, 201005, Others area

  Publisher Name - IJPUBLICATION | www.ijcrt.org | ISSN : 2320-2882

  E-ISSN Number - 2320-2882

  Published Paper PDF : - http://www.ijcrt.org/papers/IJCRT25A4189

  Published Paper URL: : - http://ijcrt.org/viewfull.php?&p_id=IJCRT25A4189

  Published Paper PDF Downlaod: - download.php?file=IJCRT25A4189

  Cite this article

Frank Felix,Prof. Dr. Nagalaxmi M. Raman,   "From The Streets to the World Stage: American Rap Music as a Tool for Cultural Exchange with India Since 2014", International Journal of Creative Research Thoughts (IJCRT), ISSN:2320-2882, Volume.13, Issue 4, pp.k115-k123, April 2025, Available at :http://www.ijcrt.org/papers/IJCRT25A4189.pdf

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The International Journal of Creative Research Thoughts (IJCRT) aims to explore advances in research pertaining to applied, theoretical and experimental Technological studies. The goal is to promote scientific information interchange between researchers, developers, engineers, students, and practitioners working in and around the world.

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